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Deon Maas on writing Witboy in Berlin
The only thing that stands between you and a funny story about Germany is usually a German who will continuously chip away at your argument, interrupt your story to correct it and then have a few questions. In the end the story is not funny anymore. It's only then, realising that your story is falling flat on its face in this new cultural set-up that you find yourself in, that the enormity of moving to Berlin strikes you. I've never been dragged kicking and screaming to a new destination.
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